Saturday, March 14, 2015

Dispatches from the graveyard shift

Over the past couple weeks of parental leave, I've found myself alone with the tv most evenings, so have been enjoying clearing my backed-up "to-watch" list:

From Dusk Till Dawn (1996): Definitely one of the lesser oeuvres in the Tarantino canon, but has its moments.

Rush - Clockwork Angels Tour (2013): Instrumentally, Rush are still on top of their game, but Geddy Lee's voice is starting to flag pretty badly and at its worse sounds like a warbly yodel.

Up In The Air (2009): George Clooney is entertaining as a frequent flyer mile-collecting jet setter whose job consists of flying around the country firing people for a living. It's a superficial and ultimately empty life, as is hammered home a little too forcefully in the film's overly formulaic and moralising conclusion.

Planet Terror (2007): another piece of self-indulgent Tarantino homage-porn which comprised half of the "Grindhouse" double feature (in which it was paired with the pretty decent "Deathproof"). It's pretty forgettable fare but, as seems inevitable where Tarantino is concerned, there are some entertaining performances: Jeff Fahey and Michael Biehn are resurrected to particularly good effect, while Rose McGowan (who was a favourite of mine in her Charmed days) is excellent in the lead role.

Blackfish (2013): excellent, very sad documentary film about the plight of killer whales (orcas) that are kept in captivity for the amusement of that other breed of large blubber-girded mammals that is endemic to North America and is peculiarly entertained by silly circus routines and cheesy marketing. It's a disgrace that we can continue to exploit intelligent animals in this way, but unsurprising that it's being done by a big company (Seaworld) in the name of making a buck.

Coffy (1973): a Blaxploitation classic featuring Pam Grier, who would later star in Tarantino's Jackie Brown. Worth it for the soundtrack and spectacularly gratuitous toplessness.

Holy Motors (2012): one of those weird arthouse French flicks that's so arty it doesn't even try to make sense. It didn't really work for me.

Waking Up With Sam Harris (2014): slickly produced lecture and Q+A session exploring the themes of Harris' recent book of the same title. I find Harris an entertaining and convincing speaker, but on the topic of spirituality he is entering some murky philosophical waters and the Q+A discussion reflected that.

Dire Straits - On the Night (1993): live concert video from the early nineties. Mark Knopfler is totally rocking the Jerry Seinfeld jeans + sports jacket look.

Hot Fuzz (2007): the second part of Simon Pegg and Nick Frost's "Three Flavours Cornetto" trilogy. Some good laughs but at 2 hours felt a little long — a trimmed-down 90 minute version might have been more effective.

American Hustle (2013): very decent yarn about a pair of con-artists in 1970s News York. Heavily redolent of Goodfellas, and though it's not quite as good as that film, it's the closest thing I've seen in a long time. The cast is top notch, and Christian Bale in particular is excellent.

Tuesday, February 24, 2015

movies + tv

Hannibal (Seasons 1+2): Very decent adaptation of the Hannibal Lecter franchise, though the gore factor is pretty full on.

Black Mirror (Seasons 1+2): anthology series of dystopian techno-tales of the unexpected by Charlie Brooker from The Guardian. "The Entire History of You" (season 1, episode 3) was particularly good.

Amazing Journey - The Story of The Who (2007): With the exception of "Pinball Wizard" — and my preferred version of that song is Elton John's version for the Tommy movie adaptation — I've never really understood why The Who were considered such a big deal. Their early yeah-yeah songs (a la "My Generation") just sound like Rolling Stones-lite, while their later concept album "Tommy" just puts me to sleep. Pete Townshend's place in the pantheon of guitar legends seems to be based more on his windmill strumming gimmick than anything else. And watching this documentary didn't really change any of that.

Before the Music Dies (2006): the premise of this fairly tedious documentary film is, in a nutshell, that the music industry has become too commercial and superficial. Unconvincing and overly nostalgic.

Edge of Tomorrow (2014): absolutely LOVED this film. It's the perfect sci-fi film: great action, humour and doesn't take itself too seriously. Tom Cruise is on a roll. 

Elysium (2013): okay, but not great.

Silicon Valley (2014): amusing comedy series about a bunch of nerds trying to get a start-up off the ground. Sort of Entourage meets The Big Bang Theory.

Fight Life (2012): documentary following the training of a group of mixed martial fighters in the lead up to a fight night. The dedication of these guys is impressive.

Los Cronocrimenes (2007): Quirky little time travel story from Spain, about a Peeping Tomas who gets into a spot of chronological bother and has to get his timeline in order.

The Tunnel (2013): British-French adaptation of the Swedish-Danish series Bron|Broen. Featuring Stephen Dillane, aka Stannis Baratheon from GoT. Pretty well done, but the adaptation so faithful to the original that, if you've seen one then the other won't hold any surprises at all.

The Rover (2014): post-apocalyptic Aussie flick, sort of The Road meets Mad Max. Guy Pierce and Robert Pattinson give a good account of themselves but it's pretty slow going.

Friday, February 13, 2015

recent movies and tv

Things have been rather quiet on the movie front, but a few recent ones:

About Time (2013): schmaltzy Richard Curtis rom-com which explores some similar themes to Sliding Doors (and is also set mostly in London). The premise is that a young man discovers a family secret: all the men in his family have the ability to travel back in time to any moment from their past and relive things from that point on. Yet more proof that I'll watch anything with a bit of time travel.

Source Code (2011): low budget sci-fi flick featuring Jake Gyllenhaal, which explores a scenario very similar to the excellent Edge of Tomorrow.

Proof (2005): treacly yarn about a daughter (Gwyneth Paltrow) and her brilliant mathematician father (Anthony Hopkins) who went mad in his last years. It's about the connection between genius and madness, as the daughter tries to understand how much of both attributes she has inherited. Jake Gyllenhaal once more rears his head as a young graduate student. It's not a great film, but you have to give it marks for including a reference to Sophie Germain prime numbers.

Coherence (2013): low budget indie sci-fi thriller flick that reminded me somewhat of The Man From Earth: dialog-heavy, no effects, mostly set in one room, but strangely gripping and thought-provoking.


Things have been more active on the small screen front:

Fargo (Season 1): loved it. The entire cast is excellent and the slow-burn drama and creeping inevitability are strongly redolent of both Breaking Bad and No Country For Old Men.

True Detective (Season 1): I'm not naturally a big fan of Matthew McConaughey so I wasn't chomping at the bit to watch this. Indeed, it took me a few episodes to get into it, but by the end it won me over. The performances by McConaughey and Harrelson are both excellent.

Veep (Seasons 1-3): Julia Louis-Dreyfus stars as the ambitious Vice President surrounded by an entourage of no-less ambitious lackeys and gophers. It's very much in the style of The Office, with relentless fast-paced one-liners. Gary Cole from Office Space is excellent as the number crunching economics advisor, as is Timothy Simons as super-doofus Jonah ("Jonad") Ryan.

American Horror Story (Season 1): dripping with horror movie cliches but a strong cast sucks you in and keeps it interesting even as the plot starts to flounder.

Sherlock (Seasons 1-3): I feel like the last person on Earth to get around to watching this, but I wasn't disappointed when I finally did.

Monday, February 2, 2015

myRig

I’ve recently devoted a bit of effort to setting up a decent practice environment on my iMac. Here are the ins and outs of what’s working for me:

IN: Running my guitar direct into the computer via an Apogee Jam audio interface. It’s a quick plugin and the audio interface doesn’t take up any deskspace.

OUT: Running through any external pedals before the computer.  After several attempts I gave trying to use my multi-effects pedal (BOSS ME70) or loop station (BOSS RC20XL); the sound quality was mediocre (in comparison to Amplitube – see below) and with power supplies and extra leads the setup/packup effort is substantially increased.

IN: Amplitube 3 as a plugin to Garageband 10. I have found Amplitube 3 to be the best-sounding amp simulator for Mac OSX. Using it as a plugin to Garageband 10 requires a hack (which the good folks at IK Multimedia were happy to provide – it involves copying a certain plist file from one place to another). The best thing is, the basic app is free and comes with some great sounding amps and pedals. I am tempted to explore some of the paid add-ons at some point (Marshall, Fender, Orange, and others – together with a huge range pedals), but there’s no urgent need.

IN: setting up a generic project in Garageband with a number of channels for each type of guitar sound I regular want (e.g. heavy rhythm left/right, heavy lead, clean). I use this as a loop station for jamming along to some chord progression or practising a lead over a given rhythm. There is an irritating bug in GB10 which results in noticeable latency in the sound monitoring when first starting up. I find this goes away as soon as I record something in one of the tracks. Any time I end up with something I want to keep, it’s easy to export as mp3 (or direct to Soundcloud!) or save it off as a new project.

OUT: Amplitube’s loop station in standalone mode. The interface is extremely clunky and limited in features. My experience with Amplitube generally suggests that it’s an app that should be heard and not seen.

IN: Anytune Pro for slowing down and transposing songs, to transcribe by ear and play along to. I experimented with a few apps in this space, but this one has by far and away the most intuitive, well-designed interface – it’s simply a joy to use. The step-up trainer, which automatically plays a section repeatedly at gradually increasing tempos is incredibly cool and useful. It also allows you to quickly browse and import songs from iTunes (no more haplessly navigating the folders where the mp3 files live!) and remembers the various annotations and settings you apply. Overall, this app has dramatically sped up my workflow for figuring out songs by ear.

OUT: Amazing Slow Downer. The original program of its kind, but it has the most atrocious interface of any program I’ve ever used for anything, anywhere. Dropped it like a hot potato as soon as I found Anytune Pro.

IN: Guitar Pro 6, tablature word processor. Very nice, intuitive WYSIWYG editor. You enter the tab (with rhythm values) and it generates the corresponding music notation. I don’t really need the notation, but it looks cool. There are heaps of guitar-centric annotation (slides, hammer ons, tapping, pinch harmonics etc) – the end result is very professional-looking. And the best part is that you can play the score once you’ve written it out, so you can see if your rhythmic transcription is up to snuff. Should be very useful for writing out song arrangements to share with the band.

OUT: Lilypond. It’s the LaTeX of music notation editors. I love the idea, but it’s just not a realistic solution for quickly banging out a rough song arrangement.

Tuesday, July 15, 2014

Movie night

As I've undoubtedly already mentioned at some point, the once-venerable institution of snuggling up for an evening spent watching one or two feature-length movies has been relegated to blue-moon status chez Gekko. It's still unclear exactly why, but among the contributing factors are surely the following: the lack of movie-length contiguous blocks of disposable time; the ascendence of high-quality tv drama series (and their availability for binge-consumption); a dreary dearth of compelling new film content; me just having more of a life than I used to (okay, just kidding).

The exception to prove this rule occurred over the weekend, as I polished off the following:

Under the Skin

Based on the book by Michel Faber, which I read and quite enjoyed a few years back during a sojourn in Dublin (as I recall, it provided some welcome distraction during the write-up of my PhD thesis). Despite that, I couldn't really get into the movie. Scarlett Johansen was excellent, but the interpretation (which, from memory, took considerable liberties with the original) was just too bleak and arty for my taste.

Wolf Creek 2

A mildly entertaining second outing for John Jarrett's memorable slasher from down under, Mick Taylor, who continues to subvert every cherished outback stereotype. But this one descends into straightahead torture-porn fare, and ultimately doesn't really add anything to the original.

The Man From Earth

Interesting low-budget sci-fi flick from a few years back. The premise is of a university lecturer who, at his farewall get-together before he leaves town, confesses to a group of his friends and colleagues that he is actually 14,000 years old and then tries to convince he isn't lying (or crazy). It sounds kooky, but it makes for a strangely gripping and thought-provoking yarn.

Saturday, March 15, 2014

Apple TV and tidying up my media library

So the big news chez Gekko is the recent purchase of an Apple TV 3. Precipitated by the timely demise of my 7 year-old iMac, this latest homage to iFanboy-ism was conceived with the intent of streamlining my home entertainment infrastructure and just generally reducing the number of cables within reach of Gekko Jr.

So far, it's working out very well. For the most part, as per Apple's catch cry, everything "just works". AirPlay works really well from computer or iPad (except if you try to stream HD video while mirroring your computer screen --- but of course that's a silly thing to try to do anyway).

One caveat is that everything "just works" a little better if you are able to manage all your media content in iTunes, since you can access your iTunes library remotely (thus avoiding the need to use AirPlay explicitly).

And one problem with this is that iTunes only has truck with a very limited number of video (mp4 or m4v) and audio (mp3,aac,m4a) formats, so if you happen to have a rather sizeable collection of, um, "home" videos in other formats (such as avi, mkv), it isn't at all obvious how you might shoehorn these into the iTunes ecosystem.

To Gekko of course, this presented an irresistibly geeky challenge, one whose chief insights will now be shared.

Converting file formats

Firstly, a fortunate turn of events is that many of the more recently disseminated "home" video content is in mp4 format (where it used to be avi), and this works without problems. So going forward, all is well, and our problems lie primarily with the content previously amassed.

The mkv ("Matroska") format, meanwhile, doesn't work directly, but generally uses the same "codecs" as mp4 (x264 and whatnot) under the hood, so it is a relatively inexpensive task to convert from this to mp4 (a process referred to as "remuxing" in geek speak). There is a very nice (free) command-line tool for this called "ffmpeg". A straightforward remuxing is handled by the following:

> ffmpeg -i Forbrydelsen.S01E01.mkv -acodec copy -vcodec copy Forbrydelsen.S01E01.mp4

The -acodec and -vcodec options are set to "copy" which means they are just being copied without any re-encoding into the new mp4 container.

In some irritating cases, I've found simple remuxing leads to a file with perfect video but no audio. In this case, you want to copy the video, but re-encode the audio. I didn't want to get too bogged down in the quagmire of different options for audio encoding, but the following seems to work just fine:

> ffmpeg -i Transformers.Prime.S01E01.mkv -c:v copy -c:a aac -strict -2 Transformers.Prime.S01E01.mp4

There are some other cases where the audio seems to be in 5.1 surround sound which results in weird echos when played through my stereo output. Again, an audio re-encoding does the trick:

> ffmpeg -i filename.mp4 -c:v copy -c:a aac -strict experimental -b:a 128k -ac 2 -scodec copy new_filename.mp4

Okay, so what about the crappy avi files which unfortunately comprise roughly 99% of my "home" video collection? Well, since leaving well enough alone obviously wasn't an option, it seems that here there was no choice but to roll up my sleeves and re-encode the video. And for this task I found the (free) program Handbrake to be just the thing. The gui version works well but is a bit clunky at first (hint: the "File>Add all titles to queue..." menu item comes in very handy). I've found the command-line version to be much more useful for en masse re-encoding. Example:

> HandbrakeCLI -i 'Blackadder.S00E03.avi' -o 'Blackadder.S00E03.m4v' --preset="AppleTV 3"

Note the handy preset here which seems to give pretty good quality. The resulting mp4 file is iTunes-ready.

As an aside, Handbrake is an excellent tool for importing DVDs in m4v format, although I find myself needing to do this increasing rarely.

I, Subtitle

I have found subtitles to be a perennial bugbear with downloaded videos. Sometimes they're hardcoded, which makes life easy (unless they're in swedish); other times they come in the form of an .srt file or (uselessly) as a dvd-style .vobsub file. As you'd expect, .srt files are no use when dealing with iTunes, and the only way I've to get subtitles working is to use a little app called "iSubtitle". All you need to do is load up your mp4 file, add the appropriate .srt file as a subtitle track using the toolbar/tray on the right, and then save. No re-encoding necessary. Once that's done the subtitles should be available via the controller in iTunes. It's a hassle but the end result is nice because you can switch subtitles on and off.

Managing iTunes library
One issue that I've found problematic with iTunes is managing the physical storage of the music and video files. By default, iTunes wants to create its own copy of every file that you import into it. This means that (1) you have to constantly go back and delete the file you just imported (unless you want to keep duplicate copies); and (2) you have to trust iTunes to manage your files for you.

The latter became a real problem for me when my collection became too large for the local hard-drive and I had to shift to an external drive. For example, if the external drive happened to be disconnected for whatever reason when I imported something, it would go ahead and copy the files to an alternate library on the local hard drive. If left unchecked,this kind of thing could easily cause headaches down the track when changing machine or whatever.

So I've decided to disable the copying on import option (by unchecking "Preferences>Advanced>Copy files to iTunes Media folder when adding to library"), and just manage my files myself. One advantage of this is that I can maintain files on different drives, which allows me to keep music and video that I frequently use on the local drive (whilst relegating more esoteric "I might listen to that one day" content to an external drive).

One cool thing too is that, provided you keep the files on the same drive, you can go ahead and rename them or move to different folders, and iTunes will still know where they are.

Metadata

This is a slightly pedantic issue, but one cool thing about Apple TV (and other media solutions such as XBMC) is that you can retrieve "metadata" about your media files which is then displayed all nicely on the Apple TV.

For my music files I've always managed the metadata manually and, although I've kept things pretty tidy, I've never obsessed too much about it. I admit I do generally make the effort to add the album cover (particularly if it's an Iron Maiden album); but beyond that, really only what's needed to keep things sorted.

For video content, however, I wanted to tap into the rich meta-databases of thetvdb.com and themoviedb.com. There seemed to be several options out there for doing this. None of them, however, were free, so it was only after much research and some experimentation that I settled on "iFlicks 2", a nice little app from the Mac App Store that does a great job. At $25.99 it's a little pricey, but after wasting $3 on the awful "MetaTV" app I can attest you get what you pay for.

One nice thing about this approach is that the metadata is stored in the file, and not away in an application-specific database somewhere (as with XBMC, say). ITunes reads this metadata on the fly, and it will also make it easier if I decide to move away from iTunes in the future.

Command-line power
I mentioned above the command-line tools ffmpeg and HandrakeCLI, which I use on the Mac OSX Terminal app. The great thing about the command-line is that it makes things very scalable when you're dealing with more than a couple of files.

And along the way I've learned a couple of neat Bash tricks that come into play when working with multiple files. The first is "for" loops, which allow the same command to be applied to multiple files. The second is Bash's text replacement syntax, which is an easy way to change file extensions. This example uses both:

> for i in *.mkv; do ffmpeg -i "$i" -acodec copy -vcodec copy "${i/.mkv/.mp4}"; done

"Arse sinking"

One final hack worth a mention pertains to the function "rsync", which is a standard unix command-line utility for backing up filesystems. By default, it works by comparing the files present in source and target directories; whenever they are different and the version in source is newer it will replace the version in target.
I have used rsync for my backup needs for a long time, but in the course of this project I found myself wanting to rsync between two locations where, for whatever reason, the files in the target directory were newer than the ones in the source. (Look, it probably shouldn't happen in a perfect world, but I think I renamed some directories or something and suddenly it wanted to recopy everything.) So a useful trick to know is the --ignore-existing option, which basically does nothing when there is a file of the same name in target (regardless of its size or age). As I say, this probably isn't something I should need in the course of a well-ordered backup operation, but it happened to be very useful when I did!

> rsync -av --ignore-existing TV/ /Volumes/Gekko_2TB/ExternalData/Video/TV

Future proof

So to summarize, I'm pretty chuffed with Apple TV so far. But that's not to say I want to blindly hitch my cart to the Apple bandwagon going forward. For that reason, I think that managing music and video files manually, and storing metadata locally, is the way to go. It means that should iTunes stop being a good option down the track, it won't be too hard to simply take my business, and files, elsewhere. And in the meantime, it makes juggling files across multiple hard drives a lot more manageable.

Saturday, December 14, 2013

what gekko watched next

Movies

Jack Reacher (2012): surprisingly entertaining performance from Tom Cruise, and an all-round solid, old-school action hero flick. ****

Skyfall (2012): I enjoyed Javier Bardem but was mostly underwhelmed by the latest instalment of the Bond franchise. **

Oblivion (2013): very good sci-fi yarn, again with Tom Cruise acting up a storm. ****

The Grandmaster (2013): Wong Kar Wai and Tony Leung team up again, though not as memorably as in the excellent 2046. ***

World War Z (2013): pretty decent zombie flick. ***

Shaun of the Dead (2004): the first of the "Three Flavours Cornetto", and the first one that I've seen. Pretty funny. ***

Sound City (2013): Dave Grohl's documentary homage to the studio where many of rock music's most iconic albums were recorded. ***

Les Intouchables (2011): a bit schmaltzy, but the performances of the two leads (particularly Omar Sy) win you over. ***

Seven Psychopaths (2012): okay but not great — for me it felt like an awkward amalgam of Adaptation and something by Quentin Tarantino. Christopher Walken is entertaining as always. **

Too Big To Fail (2011): a blow by blow account of the events surrounding the collapse of Lehmann Brothers in 2008, based on the book by Andrew Ross Sorkin. It's pretty dry fare; for me the highlights were Paul Giamatti's hapless, panicky take on Ben Bernanke and Evan Handler's geeky Lloyd Blankfein. **

TV

The Fall (2013): BBC crime thriller starring Gillian Anderson and soon to be Mr Fifty Shades Jamie Dornan. Filmed in Northern Ireland! ***

The Walking Dead (Seasons 1-4): I lapped up the first three seasons of AMC's hit zombie show. But by the end of season 3 the storyline was starting to flag, and I bailed out shortly into season 4. ***

Engrenages ("The Spiral", Seasons 1-4): excellent cop drama, billed as France's answer to the The Wire. *****

Bron|Broen ("The Bridge", Season 1): interesting bilingual crime thriller set in Sweden and Denmark. ***

Game of Thrones (Seasons 1-3): if everyone else is watching it… *****

Ray Donovan (Season 1): quite enjoyed the first season of this darker take on the Entourage world. Jon Voight and Liev Schreiber are excellent. ****

Dexter (Season 8): a fairly weak last season, with possibly the lamest finale ever. This show had its moments but should have been several seasons shorter, and it was only the excellent ensemble cast that kept it alive this long. **

Breaking Bad: probably the best television series out there. The final few episodes demanded a strong constitution, but the ending was worth it. *****

True Blood (Seasons 1-4): I've been lapping up this bit of vampire porn. ***

Newsroom (Seasons 1-2): fast-paced and entertaining, but patchy and prone to passages of maudlin liberal idealism.  ***

In Treatment (Season 1): interesting little show featuring Gabriel Byrne as a psychiatrist with some issues of his own. The main drawback is the season's length — at 43 x 30 minute episodes, it's not an undertaking for the faint of heart. ***

Its Always Sunny In Philadelphia (Seasons 1-2): billed as "Seinfeld on crack", it was initially pretty funny but the laughs started to dry up in season 2. **